Archive for the ‘sculpture’ Category

220 petites Pixel-tiles

Tuesday, November 2nd, 2010

It’s really nice to see friends and co-workers from the MIT Media Lab making their ways to the contemporary art scene. Zigelbaum and Coelho keeps winning awards! After celebrating their Design Miami/Basel Designers of the Future award, they are now exhibiting in New York, you can see their work at the Johnson Trading Gallery.

They will show their computational light installation which steals the pixel from the screen and re-introduces it to the physical world. An ambitious, pulsating LED installation completes itself only when touched by the visitor, each movement modifying and transforming the work itself.

The gun-testing vault at Riflemaker will house 220 luminescent pixel-tiles. Visitors to the gallery will be able to change the colours of the tiles, create a rhythmic pulse and re-arrange the overall form of the square, magnetic blocks.
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Zigelbaum & Coelho is a design studio founded by Jamie Zigelbaum and Marcelo Coelho. Their work utilises physical, computational, and cultural materials in the service of creating new, but fundamentally human, experiences.

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Pepper ghost mannequins

Sunday, March 30th, 2008

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Created for the Musée de la mode et du textile, Paris 1998, Radi Designers created a beautiful exhibition design that integrates 98’s technologies such as projections of portraits. The exhibition consisted in a retrospective on graduates work from FIAMH (Festival International des Arts et de la Mode, Hyères) where moving heads animate mannequins and produce ghost like pictures.

Human sculptures

Tuesday, January 22nd, 2008

The gigantic modern bronze figures of taiwanese sculptor Ju Ming are inspired by the ancient Chinese martial art of tai chi chuan. His sculpted bodies in action remind me of the playstation statue-like forms of people playing with playstation. Our next step is to create 3d sculptures of people playing second life and exhibit them in second life!

Thank you Nan Wei for introducing me to the work of Ju Ming!

Posted by Cati Vaucelle
Architectradure

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Playstation human sculptures

Wednesday, January 16th, 2008


Sculpture in perforated steel with sections upholstered in felt

Designers came up with a landscape of concept furniture derived from the statue-like forms of people sitting, standing or leaning against walls engaged in playing the PlayStation Portable (PSP). The result is “sculptural and machine-like”. Each piece contains a PSP unit and users are encouraged to step inside these structures to play, the idea being to create an individual gaming experience while allowing for interaction with other gamers in other pieces using the PSP’s wi-fi capabilities.

Inspired by gaming, after the Nintendo Wii, the Wii-fit is coming. Also check the new hypnotic video-ad for playstation!


Posted by Cati Vaucelle
Architectradure

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Cultural Chicago

Wednesday, December 26th, 2007


Icelandic Rift by new media artist Sabrina Raaf

Cultural Chicago is a community site for the arts based in Chicago. The online journal offers the possibility for readers to contribute with local cultural news. Among other things, it advertises Chicago artists, exhibitions, art events and allows readers to create a local community by sharing similar interests through a forum, regular posts and bookmarks. I wish such a journal existed in Boston. Combining the sharing of local art events with informative interviews to a social network is kind of unique.

Reading and subscribing to the journal, I discovered the spectacular work of Sabrina Raaf on creative machines capable of generating unique and unpredictable manifestations of art.

In her interview by Cultural Chicago, Sabrina Raaf explains:
“Technology (software and hardware) is not only a means or set of tools. It does also necessitate a type of logic-based thinking in order to use it and subvert it creatively. You really have to be a person who is innately fascinated by new technologies in order to be able to suffer through the learning curves and endless upgrades. But, ultimately, new technologies offer an endless string of more and more powerful and flexible tools to make art with. Even beyond that, they offer a new language to speak to viewers with; there are nouns, verbs, adjectives, etc., that artists haven’t ever strung together before in the service of art. And, that’s something really exciting.”

Grower is a piece that responds to the carbon dioxide levels in the air generated by human breath. It draws individual blades of grass along a wall in varying heights in accordance to the amount of carbon dioxide present. As such it functions as a real time display on people attendance to the art space!

Dry Translator, a sculptural installation piece, is built in response to new trends in ‘smart architecture.’ Smart technology is being created for enhanced human interaction and control of one’s work and home environments. Interestingly what excites many is not the necessarily the enhancement of control, but really more the idea of intelligent responsiveness and heightened personal connection with the rooms they inhabit, dixit Sabrina Raaf.

In the journal I also enjoyed reading the interview of Colleen Plumb, Nature in Urban Spaces. The artist “examines nature in the urban environment, seeking to examine the relationship humans have with animals, how we coexist with the natural world, and the disappearance of it within the urban space.”


Lobby with trees by Colleen Plumb

Being a video game addict at the same time than loving being lost in the countryside, I am always puzzled by criticism on a virtual reality that drives us from our physical reality. Reading this interview was refreshing and the following image by Colleen Plumb talks for itself. The overgrown tree squeezed within walls to provide a relief to humans, an experience of nature, recreated and artificial for the sake of us feeling/being connected to nature.


Laundromat

“We live in a time of games and virtual experiences which I find funny, sad, and, I guess, a reality. What effect could this be having on people? I guess representations are created due to a lack of the actual. We certainly can’t walk through a forest of bamboo trees in downtown Chicago. It seems that almost real will suffice most of the time. It must provide relief, these fabrications, otherwise they would not be so popular: The Rainforest Café. Well, the trees here are real—they are in a fake habitat, a lobby, and seem to be thriving. - Colleen Plumb”

By Architectradure

Firebird

Monday, November 19th, 2007

Contrasting delicate silhouettes with a massive robotic construction, this moving sculpture retro-projects goth-looking birds. Work by Jonathan Schipper and Amelia Biewald.

Home

Wednesday, October 10th, 2007


Nao Matsunaga | Conversation Part 2

Everyday objects and architecture have symbolic meanings that we have come to accept and rely on, as if they are the norm and there is no alternative. They create a sense/illusion of a place where what we expect from our world and what is expected from us are seemingly set. I feel that my job is to remind myself and others that this is not always the case. –Nao Matsunaga

Object Artistically Modified

Sunday, October 7th, 2007


Stéphane Vigny, Mécanique Populaire. For this installation, an electric drill becomes a skipping rope.

I discovered the work of Stéphane Vigny at the Palais de Tokyo in Paris. Mixing minimalism to mainstream objects, he produces subversive pieces. I love his work that I find humorous as much as alarming.

More on Theo Jansen

Thursday, September 6th, 2007

I recently posted on Theo Jansen for his giant kinetic sculptures, always elegant, massive and impressive with their ability to be eco friendly at the same time than resembling apocalyptic robots. Yesterday, Laura Galloway, from the TED conference, offered me to exhibit the 8 min video Theo Jansen’s talk at the TED conference. The video is a must see.

Theo Jansen
From TED2007

Talk summary
Dutch artist Theo Jansen demonstrates his amazingly lifelike kinetic sculptures, built from plastic tubes and lemonade bottles. His “Strandbeests” (Beach Creatures) are built to move and even survive on their own.Bio
Dutch artist Theo Jansen has been working for 16 years to create sculptures that move on their own in eerily lifelike ways. Each generation of his “Strandbeests” is subject to the forces of evolution, with successful forms moving forward into new designs. Jansen’s vision and long-term commitment to his wooden menagerie is as fascinating to observe as the beasts themselves. His newest creatures walk without assistance on the beaches of Holland, powered by wind, captured by gossamer wings that flap and pump air into old lemonade bottles that in turn power the creatures’ many plastic spindly legs. The walking sculptures look alive as they move, each leg articulating in such a way that the body is steady and level. They even incorporate primitive logic gates that are used to reverse the machine’s direction if it senses dangerous water or loose sand where it might get stuck.

Transformable Toys

Wednesday, July 25th, 2007


It started with transformable sculptures: The “expanding geodesic dome” from 1991 at the Liberty Science Center in New Jersey - Via Pingmag

Last time I visited her in San Francisco, my friend Kimiko Ryokai gave me this awesome toy. A ball that changes its shape and color when flipped in the air! This tricky toy was invented by the famous kinetic sculptor Chuck Hoberman. An interview on Pingmag recently covers his background, creations and inspirations.


Switch Pitch by Chuck Hoberman. Image from Educational Innovations