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We will present Touchcasting at the Sartorial Flux exhibit in Chicago september 7 – october 21 curated by Valerie Lamontagne (the author of the fabulous Peau d’ne techno-clothing).
In exciting news
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Leonardo Bonanni and I were finalists in the Kendall interactive design competition with Kendall Roses. The competition Kendall Square Interactive Design competition was organized by Lyme Properties.Based on my previous research Passing Glances (2002-2004), the Kendall Roses are designed to be an autonomous art installation that brings added value to the Kendall Square community. Bright, inexpensive daytime displays on two towers and the ground fulfill the role of the roses to provide compass directions to local attractions through graphics and text on billboards and the ground.
Data to the Roses is entirely wireless: SMS, internet and a local database are streamed to a wireless server inside each tower from local hotels, businesses, residents and the World Wide Web. In addition to useful information about local businesses, sports and attractions, the Kendall Roses offer opportunities for families and children to play on an interactive ground display that can project a variety of games. After an initial investment and potential partnership with local businesses and telcos for promoting SMS messaging, the towers will generate income primarily through advertisement for local businesses and as a tax credit for displaying public service announcements relevant to the community.
Some screenshots of the Kendall Roses interaction movie:
Details of the architecture
Plans of the Kendall Roses site
A movie of our entry
If it does not appear above, clic here
In personal work
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The spirit of CHI 2006, full of colors, nice people and nice food. This picture features Matt and I, and I must admit Leo has taken the best picture of all!
So I am in Montreal for the CHI’06 conference. I present with Leo two of our collaborative projects Playpals and Taptap.I attended the Real World Design Solutions session and was impressed by the
Experience Report on The Design of a Tangible Interaction Device to Alleviate Anxiety and Pain in Paediatric Burns Patients talk presented by Sam Bucolo from Queensland University of Technology Australasian CRC for Interaction.
News from the CRC on this project
One of the author presented a case study on the design of a tangible media device to alleviate anxiety and pain in pediatric burns patients. He worked with a multidisciplinary interaction design team throughout the research. He presented his encouraging results of an initial study of the device within a clinical trial.
The initial design sketches from the paper
The main questions on that work for me is to know how the mechanism work, if it is ‘distraction’ that patients experienced or if this is another mechanism. What if the graphics displayed on the screen were not aesthetically pleasing, would this aspect change the results of the study? The novelty of the device, its amazing graphics and scenarios maybe have impacted the results. ALso maybe the kinesthetic experience can impact the patient in a different manner than just ‘distraction’ that can be done by interacting with any kind of device.
This is to me an interesting step in building devices for hospitals in the form of a psychological support to strong pain killers medicaments.
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This semester, I take the Harvard Animation class, a VES course at the Faculty of Arts and Sciences, taught by Ruth Lingford.
Yesterday during our weekly screening, I particularly enjoyed watching movies from Gaelle Denis, Lisbeth Svarling, and especially the work of Emily Mantell ‘To Have and to Hold’.From Gaelle Denis I watched the very beautiful City Paradise, a journey through a very atmospheric London.
screenshots from the animation
She also is the author of Fish Never Sleep a very cute but intense story of an insomniac.
The cute Cloud Cover animation from Lisbeth Svarling can be watched here. The story features beautiful drawings and a story that can be interpreted in many ways. A little girl followed by her black cloud, looking for cure, looking for love… very touching and sweet.
Finally, I literally adored the work of Emily Mantell ‘To Have and to Hold’
An alternative world based on a companionship fantasy where women take the lead.
In Animation
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This semester, I take the Harvard Animation class, a VES course at the Faculty of Arts and Sciences, taught by Ruth Lingford.
Yesterday during our weekly screening, I particularly enjoyed watching movies from Gaelle Denis, Lisbeth Svarling, and especially the work of Emily Mantell ‘To Have and to Hold’.From Gaelle Denis I watched the very beautiful City Paradise, a journey through a very atmospheric London.
screenshots from the animation
She also is the author of Fish Never Sleep a very cute but intense story of an insomniac.
The cute Cloud Cover animation from Lisbeth Svarling can be watched here. The story features beautiful drawings and a story that can be interpreted in many ways. A little girl followed by her black cloud, looking for cure, looking for love… very touching and sweet.
Finally, I literally adored the work of Emily Mantell ‘To Have and to Hold’
An alternative world based on a companionship fantasy where women take the lead.
In Animation
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Walltherapy is research on design methodology for bespoke, end-user created designs that can have a positive effect on their environment. Based on research that states that ambient color, light and texture can affect mood, Walltherapy invites anybody to use their favorite colors to create their own environment.
Walltherapy is an empirical exploration of the neurological, cognitive and contextual bases underpinning the impact of visual stimuli such as colour and light and how people’s mood can be expressed in design through a creative, scientifically-led design process
In color therapy
If you’re new here, you may want to subscribe to my RSS feed to receive the latest Architectradure’s articles in your reader or via email. Thanks for visiting!
Walltherapy is research on design methodology for bespoke, end-user created designs that can have a positive effect on their environment. Based on research that states that ambient color, light and texture can affect mood, Walltherapy invites anybody to use their favorite colors to create their own environment.
Walltherapy is an empirical exploration of the neurological, cognitive and contextual bases underpinning the impact of visual stimuli such as colour and light and how people’s mood can be expressed in design through a creative, scientifically-led design process
In color therapy
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I have found various designed clock such as the ‘designer time machine‘ with its own time-telling technique.The most intriguing one to me so far is the silent alarm clock by Rachel Wingfield and Mathias Gmachl. Currently researching on haptics for sensory therapy, I find this bedding a poetic and transparent manner to support patients with SAD.
Light Sleeper is an illuminating, personalised alarm integrated into bedding that gently wakes in the most natural way. Ever since the beginning of time light has controlled our body clock telling us when to sleep and when to wake. As lifestyles are rapidly changing with increased travel and demands on our time, people’s natural body clocks are out of sync (…) The bedding aims to treat sufferers of seasonal affective disorder (SAD) where insufficient levels of daylight cause medical conditions caused by a hormonal imbalance ranging from depression to loss of energy, pre-menstrual syndrome, weight gain and migraines. It is recognised by most scientists that SAD and other sleep/ mood disorders are linked to a shift in the suprachaismatic nucleus or circadian rhythm and often referred to as the ‘body clock’
The following is a quote about the research on relationship between light and the body internal clock.
Research shows that the body’s internal clock only responds to bright light at certain times of day. This peak time in normal people occurs when the circadian rhythm is in R.E.M sleep, which is approximately 1 to 2 hours before waking. This promotes the use of Light Sleeper Bedding and proves it to be one of the most effective products for treating SAD and improving well being as it synchronises our body clock each morning
In sensory design
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I have found various designed clock such as the ‘designer time machine‘ with its own time-telling technique.The most intriguing one to me so far is the silent alarm clock by Rachel Wingfield and Mathias Gmachl. Currently researching on haptics for sensory therapy, I find this bedding a poetic and transparent manner to support patients with SAD.
Light Sleeper is an illuminating, personalised alarm integrated into bedding that gently wakes in the most natural way. Ever since the beginning of time light has controlled our body clock telling us when to sleep and when to wake. As lifestyles are rapidly changing with increased travel and demands on our time, people’s natural body clocks are out of sync (…) The bedding aims to treat sufferers of seasonal affective disorder (SAD) where insufficient levels of daylight cause medical conditions caused by a hormonal imbalance ranging from depression to loss of energy, pre-menstrual syndrome, weight gain and migraines. It is recognised by most scientists that SAD and other sleep/ mood disorders are linked to a shift in the suprachaismatic nucleus or circadian rhythm and often referred to as the ‘body clock’
The following is a quote about the research on relationship between light and the body internal clock.
Research shows that the body’s internal clock only responds to bright light at certain times of day. This peak time in normal people occurs when the circadian rhythm is in R.E.M sleep, which is approximately 1 to 2 hours before waking. This promotes the use of Light Sleeper Bedding and proves it to be one of the most effective products for treating SAD and improving well being as it synchronises our body clock each morning
In sensory design
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The Time Aid watch by Christophe Koch and Lea Kobeli. They won the Timex 2154 The Future of Time Competition in 2004. The clock changes as the wearer moves from one place to another.
Using a satellite/video interface, Time-aid can be programmed to display any clock face the user chooses, in real time, from a local clock tower to a sundial halfway around the world. This personal object contains advanced technology that, paradoxically, connects the wearer to history and the larger world. New and old, personal and global, Time-aid inspires an awareness of time and space
