Category: art and project.

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Debris de Paris

Debris de Paris

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This semester, I took the Harvard Animation class, a VES course at the Faculty of Arts and Sciences, taught by Ruth Lingford.

After a series of exercices, I decided for my final animation, une histoire pour voir, to use sand as main medium. Even though I find sand much harder to animate than pencil drawing animation, I find it much easier to express with.Screenshots from my animation

Watch the animation here (38 mb)

In animation

If you’re new here, you may want to subscribe to my RSS feed to receive the latest Architectradure’s articles in your reader or via email. Thanks for visiting!

This semester, I took the Harvard Animation class, a VES course at the Faculty of Arts and Sciences, taught by Ruth Lingford.

After a series of exercices, I decided for my final animation, une histoire pour voir, to use sand as main medium. Even though I find sand much harder to animate than pencil drawing animation, I find it much easier to express with.Screenshots from my animation

Watch the animation here (38 mb)

In animation

If you’re new here, you may want to subscribe to my RSS feed to receive the latest Architectradure’s articles in your reader or via email. Thanks for visiting!

This community of artist-researchers is amazing! After Portait of Cati by Stefan Agamanolis, my friend Orit Zuckerman made Portrait of Cati II to differenciate her art work from Stefan’s. I helped her in being the same person in both installations, but in hers I pretend to be a femme fatale (which I cannot be) and myself (which is easier).

Her idea is that if the viewer is male, he would see in me the femme fatale, and if the viewer is a female, she would see the real Cati. She uses her photographic skills and by only using a web cam and a set of dramatic lights she succeeds in rendering this portrait.

Portrait of Cati II is a portrait that reacts with a different aspect of Cati’s personality if the viewer is a man or a woman. She is more of a representation of a woman for men and more intimate and natural for women. When a viewer stands and looks at the portrait the system will detect if it is a man or a woman and trigger the right gesture.

In featuring in art work

If you’re new here, you may want to subscribe to my RSS feed to receive the latest Architectradure’s articles in your reader or via email. Thanks for visiting!

This community of artist-researchers is amazing! After Portait of Cati by Stefan Agamanolis, my friend Orit Zuckerman made Portrait of Cati II to differenciate her art work from Stefan’s. I helped her in being the same person in both installations, but in hers I pretend to be a femme fatale (which I cannot be) and myself (which is easier).

Her idea is that if the viewer is male, he would see in me the femme fatale, and if the viewer is a female, she would see the real Cati. She uses her photographic skills and by only using a web cam and a set of dramatic lights she succeeds in rendering this portrait.

Portrait of Cati II is a portrait that reacts with a different aspect of Cati’s personality if the viewer is a man or a woman. She is more of a representation of a woman for men and more intimate and natural for women. When a viewer stands and looks at the portrait the system will detect if it is a man or a woman and trigger the right gesture.

In featuring in art work