Category: body

  • 01MarLe Décalé

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    I love Sala’s design objects. From interior to furniture design, every piece will make you smile!

    Posted by Cati Vaucelle @ Architectradure
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  • 06MarAn Environment for the Prosthetic Body

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    Hybrid Architecture: An Environment for the Prosthetic Body by Georges Teyssot The International Journal of Research into New Media Technologies, Vol. 11, No. 4, 72-84 (2005)

    Drawing from philosophical, literary, artistic and technological sources, this text focuses on the theoretical relations between body and environment. It illustrates the argument by probing into various topics such as: desiring machines, body without organs, organs without body, gymnastic implements, body-building, celibate machines, incorporation, disembodiment, androids, robots, cyborgs, electro-mechanical and electronic apparatuses, spacesuits, wearable computers and augmented reality, the eco-technical spheres and the matrix. In addition, it looks into theories of medical devices that help explain the notion of the prosthetic body. Finally, within the context of theories of tools and cyber-organism, it attempts to rethink design through the terms of contemporary practices of daily life.



    Zombie Kit V1, 2007 by Brian Walker

    See also the Prosthetic Impulse

    Posted by Cati Vaucelle @ Architectradure

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  • 08MarColoring book









    I love this coloring book and sticker kit idea by Sanithna Phansavanh.

    Posted by Cati Vaucelle @ Architectradure

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    Blog Jouons Blog Maison Blog Lesson


  • 15MarThese little things in the dark …

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    Our childhood was filled with creatures hidden in the dark. The feeling of them existing outside of our imagination was a source of interaction with the physical world, creating places for them to live. Our imaginary friends were sharing our secrets, they were our closest partner in the world discovery. One book that I recommend on the subject is The House of Make-Believe: Children’s Play and the Developing Imagination by Dorothy G. Singer and Jerome L. Singer, one of my favorite book on imagination and child development.



    Children interacting with Kage no Sekai

    When I discovered Kage no Sekai, I immediately felt in love with it. The piece projects cute tiny creatures on shadows -and only on shadows- so that anyone can play with them, try to grab them, make them exist in specific places with shadows created just for them, or even trap them (see video of the children interaction with the system).



    Photo by the authors of Kage no Sekai

    “This device expresses this perspective not by using existing media but in the real world itself. The mechanism is concealed, giving the device the appearance of an ordinary piece of furniture. Although at first glance it looks like a regular wooden table, if you look at the shadows on its surface you’ll see the movement of mysterious life forms. When you approach it to have a better look, they sense your presence and hide away. They do not emerge while human shadows are cast over the table, but the life forms hiding within a distant shadow are watching them.”

    Video




  • 18NovTouching memories

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    Touch is at the heart of intimate relationship. It is also a powerful trigger of past emotions. Touching memories is a system that detects and records a touch by a loved one. Be it a stroke, a pat, a hug, or a rub, the system will store the touch and play it back to you whenever you need it

    This project is in its conceptual phase.

    By Cati in affective design


  • 18NovTouching memories

    If you’re new here, you may want to subscribe to my RSS feed to receive the latest Architectradure’s articles in your reader or via email. Thanks for visiting!

    Touch is at the heart of intimate relationship. It is also a powerful trigger of past emotions. Touching memories is a system that detects and records a touch by a loved one. Be it a stroke, a pat, a hug, or a rub, the system will store the touch and play it back to you whenever you need it

    This project is in its conceptual phase.

    By Cati in affective design