Category: Uncategorized

  • 27JunMultisensorial video?

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    Caution: Objects in this mirror may be closer than they appear!

    I work on getting closer and closer to the expression, and the content of the expression, through video, and this by interfacing capture, edition and projection. Sometimes, novels inspire you the most in what you do. I chose the following quote of Jean Baudrillard from his book America:

    Nostalgia born of the immensity of the Texan hills and the sierras of New Mexico: gliding down the freeway, smash hits on the Chrysler stereo, heat wave. Snapshots aren’t enough. We’d need the whole film of the trip in real time, including the unbearable heat and the music. We’d have to replay it all from end to end at home in a darkened room, rediscover the magic of the freeways and the distance and the ice-cold alcohol in the desert and the speed and live it all again on the video at home in real time, not simply for the pleasure of remembering but because the fascination of senseless repetition is already present in the abstraction of the journey. The unfolding of the desert is infinitely close to the timelessness of film… – Jean Baudrillard, America


  • 30JunDice video

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    A Nikle Injuries by Fujiya & Miyagi


  • 30JunDice video

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    A Nikle Injuries by Fujiya & Miyagi


  • 01JulMotion and identity

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    A few little dots moving make a figure look male or female, heavy or light, relaxed or nervous, happy or sad. A fun tool to play with by Bio Motion Lab.

    Another famous tool that I love, sodaconstructor, a Java applet that animates two dimensional models made out of masses and springs. In this one, emotion and anthropomorphism take place at the spring level.

    A while back, Le ciel est bleu designed very successful moving creatures depending on gravity points.

    In the robotic sphere, Guy Hoffman’s lamp is designed as a collaborative desk assistant and this by following your intentions around your desk. Even if the lamp is non-anthropomorphic per se, its motion certainly gives it an anthropomorphic credibility that serves the function of a desk assistant. Video of its first steps!


  • 27JulVideo, toys and perspective taking

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    I discovered this fabulous experimental research on perspective taking by developmental psychologist Masuo Koyasu.

    Masuo Koyasu’s web site (in Japanese only).

    In the 1980s, I was interested in studying the development of perspective-taking in young children. Piaget’s “three mountains task” had demonstrated that children find it difficult to understand how something looks to a person who is in a different position from themselves. In fact, younger children exhibit a strong tendency to choose their own view when asked to indicate how an object looks to someone in another position, a tendency that Piaget called “egocentrism.” I thought there are three dimensions of egocentrism (up and down, front and back, and left and right), and that children’s difficulty in understanding different perspectives might be because they do not receive feedback about other people’s perspectives. To test this hypothesis, I conducted a series of experiments with kindergarteners.


    Figure 1. Experimental Situation
    A:Child,B:Experimenter,C:Sample Photos,D:Place to put toy animal(s),E:Three toy animals,F:Still camera or video camera

    The task in the first experiment was to face a camera set up across from them and then to arrange one to three toy animals in a way that would produce a photograph like the sample (Figure 1). Forty-three percent of the four-year-olds exhibited front and back egocentrism by placing the toy animals’ backs to the camera. That tendency had mostly disappeared among the five-year-olds and six-year-olds, but it became clear that hardly any of the four- to six-year-olds could position two or three toy animals in the correct left-to-right order. In a second experiment, I used a video camera instead of a still camera and provided video feedback, showing an image of the toy animals as viewed from the opposite side on a color CRT monitor. In the control group, which was shown only the CRT monitor, the children were able to correct their front-back egocentrism on their own but were not informed of their errors. Even in the experimental group, which received instruction and practice in correcting left-right egocentrism, the effect on their post-test results was clearly small (Figure 2).


    Figure 2. Mean number correct in each condition

    Until the age of about seven, most children facing a teacher who says, “Let’s raise our right hands” while raising his or her own right hand will raise their left hands.
    Incidentally, research into perspective-taking abilities has traditionally focused on investigating how children understand other people’s viewpoints, but I have noticed a serious limitation in the paradigm commonly used to study this. In the case of the “three mountains task,” even if children can’t directly guess the viewpoint of a person in another position, they can solve the problem by conducting a mental simulation in which they imagine that they have gone to the other person’s position, or by a type of mental rotation, in which they imagine that the object has been placed on a lazy Susan and rotated to the correct position. The lack of methodological distinctions in the perspective-taking paradigm was a major problem. As I was worrying about how to think about this problem, I encountered research into “theory of mind.” In particular, I spent ten months as a visiting scholar in the Department of Experimental Psychology at the University of Oxford from 1994 to 1995, where I had the opportunity to come into contact with the front lines of British research into cognitive development. After returning to Japan, I began studying “theory of mind,” but at that time, hardly anyone else in the country was doing so. Without intending to, I have had to carry out the role of “missionary” in the field of “theory of mind” in Japan.
    The most famous experiment in “theory of mind” is the false belief task (the so-called “Sally and Anne task”) of Josef Perner and his colleagues. “Sally puts a doll in a basket. While Sally is away, Anne takes the doll out of the basket and puts it into a box nearby. Sally then returns and the child is asked where Sally will look for her doll.” In general, three-year-olds can’t pass this task, but they become able to do so between the ages of four and six. It has also been demonstrated that even high-functioning autistic children can’t pass this task. It is odd that most young children are easily deceived by this task, which is no problem at all for adults. I have been observing the daily lives of children at a Kyoto kindergarten once a week for three years, as well as conducting developmental research, including the false belief task. As a result, I have obtained longitudinal data on “theory of mind” (Figure 3).


    Figure 3. Results of a longitudinal study of “theory of mind”

    The data presented in this figure began with 15 children, with 4 more children transferring in at the ages of four and five, for a total of 19 children at the end. Only one child regressed from being able to pass the task to failing it, but he was a boy who became extremely nervous and made mistakes in the testing situation at age five and six. The fact that I was conducting experiments on children with whom I was in contact on a daily basis made me feel that I could interpret the results more broadly.

  • 27JulWhy Toys Shouldn’t Work “Like Magic”

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    Mark D. Gross, Michael Eisenberg, “Why Toys Shouldn’t Work “Like Magic”: Children’s Technology and the Values of Construction and Control,” digitel, pp. 25-32, The First IEEE International Workshop on Digital Game and Intelligent Toy Enhanced Learning (DIGITEL’07), 2007

    abstract

    The design and engineering of children’s artifacts-like engineering in general-exhibits a recurring philosophical tension between what might be called an emphasis on “ease of use” on the one hand, and an emphasis on “user empowerment” on the other. This paper argues for a style of technological toy design that emphasizes construction, mastery, and personal expressiveness for children, and that consequently runs counter to the (arguably ascendant) tradition of toys that work “like magic”. We describe a series of working prototypes from our laboratories-examples that illustrate new technologies in the service of children’s construction and we use these examples to ground a wider-ranging discussion of toy design and potential future work.


  • 29JulSelling ad space via computer etching

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    Leah paid for her new MacBook Pro by selling ad space on her laptop to sponsors.

    Soon you will receive a parking ticket for leaving your computer too long on a campus table. Soon you will etch ads on your body to have unlimited plastic surgery, soon you will become an ad to survive!

    But I wonder, are stickers over yet? Spreading throughout the internet, the hip idea for a few years now is to etch the cover of your laptop.

    I saw beautiful work out there, but never dared attacking the cover of my mac book. I prefered not following any trends, and stuck to my stickers! Among all this craft work, I chose this one from 2006 (see picture above) that is particularly interesting by Buzz Andersen.


  • 30JulCreepcakes by designers!

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    AIGA 2006 presents creepcakes for Halloween, a use of everyday cupcakes transformed into aliens, monsters, spiders and mummies!

    Clever design and great imagination is always extremely inspiring …




  • 30JulThe SynchroMate

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    The SynchroMate fits snuggly in the palm of one’s hand (…) it encourages serendipitous synchronous interaction by indicating when a message is being composed for you by a distant companion through gentle vibrations and pulsing concentric circles of lush colors on the display

    SynchroMate: A Phatic Technology for Mediating Intimacy, by Martin R. Gibbs, Steve Howard, Frank Vetere, Marcus Bunyan (2006)

    Abstract

    By and large interaction design has been concerned with information exchange – technologies for the collection, processing and transmission of informational content. This design sketch discusses preliminary ideas about an alternative way to think about interactive technologies – phatic technologies – that are less concerned with capturing and communicating information and more about the establishment and maintenance of social connection. Drawing on insights and inspiration gleaned from a recent field-based study of the role of interactive technologies within intimate relationships we outline our preliminary ideas concerning technologies to support phatic interaction. Using materials collected during our fieldwork as design inspirations, we developed design sketches for phatic technologies intended to support playful connection between intimates. One of these sketches – SynchroMate – is presented. SynchroMate is a phatic technology designed to mediate intimacy by affording serendipitous synchronous exchanges.

    Full case study


  • 30JulThe SynchroMate

    If you’re new here, you may want to subscribe to my RSS feed to receive the latest Architectradure’s articles in your reader or via email. Thanks for visiting!



    The SynchroMate fits snuggly in the palm of one’s hand (…) it encourages serendipitous synchronous interaction by indicating when a message is being composed for you by a distant companion through gentle vibrations and pulsing concentric circles of lush colors on the display

    SynchroMate: A Phatic Technology for Mediating Intimacy, by Martin R. Gibbs, Steve Howard, Frank Vetere, Marcus Bunyan (2006)

    Abstract

    By and large interaction design has been concerned with information exchange – technologies for the collection, processing and transmission of informational content. This design sketch discusses preliminary ideas about an alternative way to think about interactive technologies – phatic technologies – that are less concerned with capturing and communicating information and more about the establishment and maintenance of social connection. Drawing on insights and inspiration gleaned from a recent field-based study of the role of interactive technologies within intimate relationships we outline our preliminary ideas concerning technologies to support phatic interaction. Using materials collected during our fieldwork as design inspirations, we developed design sketches for phatic technologies intended to support playful connection between intimates. One of these sketches – SynchroMate – is presented. SynchroMate is a phatic technology designed to mediate intimacy by affording serendipitous synchronous exchanges.

    Full case study