Category: fashion

  • 12JanTaptap, the affectionate scarf

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    TapTap: A Haptic Wearable for Asynchronous Distributed Touch Therapy

    I continued the development on my conceptual idea touching memories and as a team we came up with a final prototype called ‘taptap’.

    TapTap is a wearable haptic system that allows nurturing human touch to be recorded, broadcast and played back for emotional therapy. Haptic input/output modules in a convenient modular scarf provide affectionate touch that can be personalized.

    Movie of Taptap


    This picture shows the second prototype that is a scarf with large pockets with a power supply. The design of the scarf is intended to make it wearable in a number of ways and allow specific TapTap actuators to be mounted wherever the wearer desires. The outside of the scarf is a public color (gray) while the inside and its intimate actuators are a warm color (pink).

    Based on haptic devices, taptap can be re-configured to record and play back the touch that is most meaningful to each user. It is made from felt in two layers: one grey one that faces the public and a pink layer that touches you and contains the haptic modules in specially designed pockets. Taptap can be worn as a regular scarf, and custom touch modules can be placed in powered pockets within to record and play back touch where and when you want it

    Taptap was blogged by Regine Debatty on we-make-money-not-art.com with a nice summary and useful references 🙂

    Taptap is a team and class project for the Tangible Media class final assignment at MIT Media Lab taught by Dr Hiroshi Ishii. I presented with Leo at CHi’06 as an extended Abstract of Conference on Human Factors in Computing Systems (CHI ‘06), (Montreal, Quebec, Canada. April 22-27, 2006) by Bonanni, L., Lieberman, J., Vaucelle, C., Zuckerman, O. (alphabetical order). Download pdf.

    Taptap was part of the second Seamless fashion show, on February 1, at the Boston Museum of Science.

    On this picture, I wear a second prototype

    A few publications on Taptap and its next steps:
    . A Framework for Haptic Psycho-Therapy Published in the Proceedings of IEEE ICPS Pervasive Health Systems Workshop, Lyon, France, 2006.
    . Affective TouchCasting Published in the Proceedings of SIGGRAPH’06, Boston, USA. Abstract from publisher: ACM Press. Download pdf

  • 19MayTouchcasting

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    We will present Touchcasting at the Sartorial Flux exhibit in Chicago september 7 – october 21 curated by Valerie Lamontagne (the author of the fabulous Peau d’ne techno-clothing).

    In exciting news


  • 12JanRemembrance of an absence

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    In my sculpture work, I combine the material representation of a souvenir and its effect over time. I print on plaster molds a series of clothing on life-sized frames. The pieces of clothing carved in the plaster come from people I care for. Their prints represent their passage in my life at a point, and the mold essentially keeps the shape and the textural significance of the clothing.



    final installation (2007)

    More pictures.

    My paper on a selection of sculptures for Helen Mirra, VES, Harvard University, (Cambridge, MA, USA. December, 2006). Remembrance of an absence


  • 17JanTouch · Sensitive Apparel

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    What if objects that people carry with them and even carry on them could offer this sensory comfort that they seem to seek?

    Together with Yas I have codevelopped a touch-sensitive apparel for massage and sensory therapy. The research focuses on the material – how the structure and the embedded components of the garment participate in pushing its function to become an envelope or cocoon for one’s well-being.

    Touch·Sensitive is a haptic apparel that allows massage therapy to be diffused, customized and controlled by people while on the move. Made of modular garments, it applies personalized stimuli. Touch·Sensitive aims to provide individuals with a sensory cocoon, a comforting and alerting apparel with a feedback system. Our design for the Touch·Sensitive apparel comes from the observation that people need to sooth their body to protect themselves from everyday aggressions. Touch·Sensitive is a matrix made of clothing elements that allows diffusion of tactile information through heat sensors, mechanically-driven textural sensation and liquid diffusion.

    The following is a series of our Low-Fidelity prototypes.

    LOW-FIDELITY PROTOTYPE #1



    This wired apparel alerts the user by mechanically shrinking the fabric onto specific points of tensions on the body.

    LOW-FIDELITY PROTOTYPE #2



    The second low-fidelity prototype of Touch·Sensitive is made of buttons with silicone.

    LOW-FIDELITY PROTOTYPE #3



    Manually inflatable vinyl pockets can be used to receive a comforting pressure

    LOW-FIDELITY PROTOTYPE #4



    Structure flex

    Touch·Sensitive allows the diffusion of tactile information through computational and mechanical technologies. It is a computerized touch therapy apparel whose modular pieces can be integrated within the clothing. We have taken advantage of the growing miniaturization of computational components to integrate them seamlessly within the fabric.

    Keep tuned!

    ——————————————————-

    Touch · Sensitive Apparel work-in-progress 6 pages paper has been accepted to CHI 2007. Come see Yas and I in Saint Jose from April 28-May 3 2007!

    Abstract

    Touch·Sensitive is a haptic apparel that allows massage therapy to be diffused, customized and controlled by people while on the move. It provides individuals with a sensory cocoon. Made of modular garments, Touch·Sensitive applies personalized stimuli. We present the design process and a series of low fidelity prototypes that lead us to the Touch·Sensitive Apparel.

    Download pdf of the paper


  • 28FebIssey Miyake by Etienne Mineur

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    Stunning interactive graphic piece for Issey Miyake by Etienne Mineur. Jean-Jacques Birgé talks about la derniere valse of this work.

    Spring summer 2007 women collection.

    Spring summer 2007 men collection.

    Collections designed by Naoki Takizawa for Issey Miyake.


  • 28FebIssey Miyake by Etienne Mineur

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    Stunning interactive graphic piece for Issey Miyake by Etienne Mineur. Jean-Jacques Birgé talks about la derniere valse of this work.

    Spring summer 2007 women collection.

    Spring summer 2007 men collection.

    Collections designed by Naoki Takizawa for Issey Miyake.


  • 09MayA living sculpture

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    Aimée Mullins

    Today at the fantastic H2.0 event hosted by John Hockenberry and organized by the MIT Media Laboratory, key speakers presented new research initiatives for augmenting mental and physical capability and this to vastly improve the quality of human life.


    Pictures from Aimee Mullins’s talk

    I discovered the inspiring work of Aimée Mullins, that not only is functional but also beautiful. She raises questions on identity and the body, on what it means to loose her lower self. She worked with various artists, designers and modeled for Alexander Mc Queen.


    Aimée Mullins, Dazed & Confused, September 1998 by photographer Nick Knight

    In Cremaster 3, actress Aimée Mullins wears blades on the soles of her shoes or a white dress and transparent crystal legs.


    Cremaster 3

    At the end of the H2.0 event Aimée Mullins declared: “people say i have no legs, but I have ten pairs of them and my interaction with them allow me to be a living sculpture”


    Aimée’ Sculptural legs, photographer: Webb Chappell


    Model: Aimée Mullins, photographer: Chris Winget

    video

  • 25AugIced Chest

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    iced.png

    nikeiced.png

    I had designed a system to cool down the body for mental health support. It is always nice to see how such system can be used in another context such as the Nike Lab that designs innovative garments for athletes. One of the product, that I found in the Print edition of Fast Company Magazine, is a jacket that cools down the body. Discovering that performance falls off drastically when core body temperature hits 103 degrees, the Nike lab designed a vest that slows the rise of core body temperature. It is simply filled in with water, then frozen overnight. The vest is meant to be wear an hour prior to competition.

    icedwear.png
    Screenshot from the Nike designer story

    Posted by Cati Vaucelle @ Architectradure

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  • 08MayInternational PhD Studentship in Tectonic Textiles!

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    An announcement for the good cause. I know how hard it is to find a great PhD in a field that you love! Here is a call for an international PhD studentship in tectonic textiles between the Centre for IT and Architecture at the Royal Danish Academy of Fine Arts, School of Architecture, and the Textiles Future Research Group, Central Saint Martins, College of Art and Design.

    The position will be based in both research environments so as to make full use of the expertise and equipment available. The applicant will be expected to move between the institutions placed in Copenhagen and London, respectively. The position is offered as a 3-year contract under the regulations of the Danish Ministry of Finance and the Danish Federation of Professional Associations, AC.

    This Ph.D. application will be administerd by CITA.

    Click ->here<- for further information

    The deadline for application is 23 May 2008. Material received by CITA after this time will not be taken into account.

    A bit of research context for the studentship

    The last decade has seen an extensive development in the textile industry. The invention of new high technology fibres and yarns as well as new fabrication techniques for weaving, knitting, pleating, welding or laminating of materials, is causing an increase in the use of textiles across multiple disciplines. From the miniature detailing of knitted arteries inserted into the body to the extreme scales of geotextiles, textiles are entering new fields of fabrication, hybridising existing technologies and inventing new ones. In architecture, the metaphor of textiles is increasingly informing design practice. Whereas textiles have always been used in tensile structures and within the interior, the idea of weaving, pleating or knitting a building is challenging traditional construction techniques. The idea of a curtain wall, an independent and self-supporting membrane of steel and glass that wraps around the building, is now being explored through the metaphor of fabric.

    One of the key developments in this technological innovation has been the emergence of smart textiles, or intelligent textiles, that embed digital technology in woven, pleated or knitted surfaces. These materials enable wiring or circuitry to become a direct part of the material. Intelligent clothes, wearables and soft computing are research fields that have been receiving huge amounts of international interest during the last decade. The use of conductive threads and fabrics and the embroidery of standard electronic components as well as stand-alone microprocessors have allowed the imagining of a material that holds its own capacity for sensing and actuation. Here, state-changes: the intensification of colour, the emergence of light or the stirring of movement, allow the material itself to become a reactive surface that engages with its occupant or wearer. These materials have mostly had their application in the development of smart uniforms for the military, but have also lead to more experimental and probing explorations allowing for a new conditioning of technology as something soft, pliable, adaptive and mobile. Questioning the idea of a fixed user behind a standard terminal within a rigid office environment, these investigations propose a flexible technology that ultimately is ported and changed by its usage.

    The International PhD Studentship will focus on the siting of these technologies within an architectural research context. Investigating the embedding of soft technology within the interior, the project will seek to define new means by which a dynamic and user-controlled architecture can be imagined. It is the intention that the candidate will work in a practice-based and experimental manner where direct experience and engagement with materials and technologies will create the foundation for innovative research.


  • 07MayFashionable Technology: The Intersection of Design, Fashion, Science, and Technology

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    Book

    I have authored a chapter in the book Fashionable Technology, edited by Sabine Seymour!

    I present my work on fashion garments designed in the context of technology -including the Touch Sensitive apparel developed with Yasmine Abbas. The book just came out and is available for pre-order on Amazon -> here<-

    Abstract: The interplay of electronic textiles and wearable technology, wearables for short, and fashion, design and science is a highly promising and topical subject. Offered here is a compact survey of the theory involved and an explanation of the role technology plays in a fabric or article of clothing. The practical application is explained in detail and numerous illustrations serve as clarification. Over 50 well-known designers, research institutes, companies and artists, among them Philips, Burton, MIT Media Lab, XS Labs, New York University, Hussein Chalayan, Cute Circuit or International Fashion Machines are introduced by means of their latest, often still unpublished, project, and a survey of their work to date. Given for the first time is a list of all the relevant information on research institutes, materials, publications etc. A must for all those wishing to know everything about fashionable technology.

    ->Buy the book<-