Category: culture

  • 11MayHappy mother’s day!

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    … to all mothers and mothers of mothers of mothers!

    By Wikipedia:

    In the United States, Mother’s Day was loosely inspired by the British day and was imported by social activist Julia Ward Howe after the American Civil War. However, it was intended as a call to unite women against war. In 1870, she wrote the Mother’s Day Proclamation as a call for peace and disarmament. Howe failed in her attempt to get formal recognition of a Mother’s Day for Peace. Her idea was influenced by Ann Jarvis, a young Appalachian homemaker who, starting in 1858, had attempted to improve sanitation through what she called Mothers’ Work Days. She organized women throughout the Civil War to work for better sanitary conditions for both sides, and in 1868 she began work to reconcile Union and Confederate neighbors.

    When Jarvis died in 1907, her daughter, named Anna Jarvis, started the crusade to found a memorial day for women. The first such Mother’s Day was celebrated in Grafton, West Virginia, on 10 May 1908, in the church where the elder Ann Jarvis had taught Sunday School. Originally the Andrews Methodist Episcopal Church, this building is now the International Mother’s Day Shrine (a National Historic Landmark). From there, the custom caught on — spreading eventually to 45 states.


  • 10MayA chair to peel

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    A chair to peel

    The Cabbage Chair, 2008

    Nendo designed the cabbage chair for XXIst Century Man exhibition curated by Issey Miyake to commemorate the first anniversary of 21_21 Design Sight in Roppongi, Tokyo.

    Miyake asked the designers to make furniture out of the pleated paper that is produced in mass amounts during the process of making pleated fabric, and usually abandoned as an unwanted by-product. The designers’ solution to his challenge transformed a roll of pleated paper into a small chair that appears naturally as you peel away its outside layers, one layer at a time.

    Peeling

    Resins added during the original paper production process adds strength and the ability to remember forms, and the pleats themselves give the chair elasticity and a springy resilience, for an overall effect that looks almost rough, but gives the user a soft, comfortable seating experience.

    Opening

    Photo by Masayuki Hayashi

    Since the production process is so simple, the designers thought that eventually, the chair could be shipped as one compact roll for the user to cut open and peel back at home. The chair has no internal structure. It is not finished, and it is assembled without nails or screws. This primitive design responds gently to fabrication and distribution costs and environmental concerns, the kinds of issues that face our 21st century selves. Thus, the cabbage chair fits active, optimistic and forward-moving “21st century people”, the kind of people who, to borrow a concept Miyake expressed during a meeting with Nendo, “don’t just wear clothes, but shed their skin”.

    Posted by Cati Vaucelle @ Architectradure


  • 10MayA chair to peel

    If you’re new here, you may want to subscribe to my RSS feed to receive the latest Architectradure’s articles in your reader or via email. Thanks for visiting!

    A chair to peel

    The Cabbage Chair, 2008

    Nendo designed the cabbage chair for XXIst Century Man exhibition curated by Issey Miyake to commemorate the first anniversary of 21_21 Design Sight in Roppongi, Tokyo.

    Miyake asked the designers to make furniture out of the pleated paper that is produced in mass amounts during the process of making pleated fabric, and usually abandoned as an unwanted by-product. The designers’ solution to his challenge transformed a roll of pleated paper into a small chair that appears naturally as you peel away its outside layers, one layer at a time.

    Peeling

    Resins added during the original paper production process adds strength and the ability to remember forms, and the pleats themselves give the chair elasticity and a springy resilience, for an overall effect that looks almost rough, but gives the user a soft, comfortable seating experience.

    Opening

    Photo by Masayuki Hayashi

    Since the production process is so simple, the designers thought that eventually, the chair could be shipped as one compact roll for the user to cut open and peel back at home. The chair has no internal structure. It is not finished, and it is assembled without nails or screws. This primitive design responds gently to fabrication and distribution costs and environmental concerns, the kinds of issues that face our 21st century selves. Thus, the cabbage chair fits active, optimistic and forward-moving “21st century people”, the kind of people who, to borrow a concept Miyake expressed during a meeting with Nendo, “don’t just wear clothes, but shed their skin”.

    Posted by Cati Vaucelle @ Architectradure


  • 09MayMini tech in fashion

    The Masai dress!

    dress

    Discovered via Stumbleupon, Studio 5050 makes really cool products: from a dress that generates musical patterns as the wearer moves, to the moi “a light to wear, a light to share!

    moi1moi2

    Inspired by Masai wedding collars, this dress salutes both our global provenance and our desire to create our own soundtrack as we move in mysterious ways. With every step, strings of hand-formed silver beads that hung from the collar brush against conductive threads sewn into the dress, generating a series of sounds. A leisurely walk or a night at a cocktail party turns into an improvisational performance.

    dresses

    A long asymmetrical swoop in the back of the dress recalls Balenciaga’s famed wedding dress – an homage to a maestro that visually and aurally blends cultures, traditions and emotions. The dress comes in a luscious deep-sky blue silk jersey and white nourishing Sea-Tiva (75% cotton, 25% algae).

    The company also design modules, a series of electronic building blocks for creating systems that sense and respond. The modules were originally created to help them rapidly develop new wearable applications but they now are available to the public to create any interaction design project!

    modules

    Posted by Cati Vaucelle @ Architectradure


  • 09MayBiojewellery

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    The aim of Biojewellery is to strike up a range of relationships with an audience over the issues that surround biotechnology, tissue engineering in particular. The collaboration is between a core team of a bioengineer and two designers. By using an invasive medical procedure to procure cells the creators of Biojewellery are then manipulating these living organisms to produce designed objects.

    ring

    A model of the ring using a combination of cow marrow-bone and etched silver. The inscription reads Ab Intra, “from within”.

    Tissue engineering is one element of scientific study, which is beginning to have a profound effect on how disease and physical disorders are treated. What are the implications of medical research and how do we introduce the issues surrounding them? Creative responses perform a critical function in terms of challenging/raising public awareness, whilst engaging with the technologies themselves to create new methods of producing work. Biojewellery uses the device of a recognizable social custom to open a debate about new medical technology.

    ringgroup

    Posted by Cati Vaucelle @ Architectradure


  • 08MayInternational PhD Studentship in Tectonic Textiles!

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    An announcement for the good cause. I know how hard it is to find a great PhD in a field that you love! Here is a call for an international PhD studentship in tectonic textiles between the Centre for IT and Architecture at the Royal Danish Academy of Fine Arts, School of Architecture, and the Textiles Future Research Group, Central Saint Martins, College of Art and Design.

    The position will be based in both research environments so as to make full use of the expertise and equipment available. The applicant will be expected to move between the institutions placed in Copenhagen and London, respectively. The position is offered as a 3-year contract under the regulations of the Danish Ministry of Finance and the Danish Federation of Professional Associations, AC.

    This Ph.D. application will be administerd by CITA.

    Click ->here<- for further information

    The deadline for application is 23 May 2008. Material received by CITA after this time will not be taken into account.

    A bit of research context for the studentship

    The last decade has seen an extensive development in the textile industry. The invention of new high technology fibres and yarns as well as new fabrication techniques for weaving, knitting, pleating, welding or laminating of materials, is causing an increase in the use of textiles across multiple disciplines. From the miniature detailing of knitted arteries inserted into the body to the extreme scales of geotextiles, textiles are entering new fields of fabrication, hybridising existing technologies and inventing new ones. In architecture, the metaphor of textiles is increasingly informing design practice. Whereas textiles have always been used in tensile structures and within the interior, the idea of weaving, pleating or knitting a building is challenging traditional construction techniques. The idea of a curtain wall, an independent and self-supporting membrane of steel and glass that wraps around the building, is now being explored through the metaphor of fabric.

    One of the key developments in this technological innovation has been the emergence of smart textiles, or intelligent textiles, that embed digital technology in woven, pleated or knitted surfaces. These materials enable wiring or circuitry to become a direct part of the material. Intelligent clothes, wearables and soft computing are research fields that have been receiving huge amounts of international interest during the last decade. The use of conductive threads and fabrics and the embroidery of standard electronic components as well as stand-alone microprocessors have allowed the imagining of a material that holds its own capacity for sensing and actuation. Here, state-changes: the intensification of colour, the emergence of light or the stirring of movement, allow the material itself to become a reactive surface that engages with its occupant or wearer. These materials have mostly had their application in the development of smart uniforms for the military, but have also lead to more experimental and probing explorations allowing for a new conditioning of technology as something soft, pliable, adaptive and mobile. Questioning the idea of a fixed user behind a standard terminal within a rigid office environment, these investigations propose a flexible technology that ultimately is ported and changed by its usage.

    The International PhD Studentship will focus on the siting of these technologies within an architectural research context. Investigating the embedding of soft technology within the interior, the project will seek to define new means by which a dynamic and user-controlled architecture can be imagined. It is the intention that the candidate will work in a practice-based and experimental manner where direct experience and engagement with materials and technologies will create the foundation for innovative research.


  • 07MayFashionable Technology: The Intersection of Design, Fashion, Science, and Technology

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    Book

    I have authored a chapter in the book Fashionable Technology, edited by Sabine Seymour!

    I present my work on fashion garments designed in the context of technology -including the Touch Sensitive apparel developed with Yasmine Abbas. The book just came out and is available for pre-order on Amazon -> here<-

    Abstract: The interplay of electronic textiles and wearable technology, wearables for short, and fashion, design and science is a highly promising and topical subject. Offered here is a compact survey of the theory involved and an explanation of the role technology plays in a fabric or article of clothing. The practical application is explained in detail and numerous illustrations serve as clarification. Over 50 well-known designers, research institutes, companies and artists, among them Philips, Burton, MIT Media Lab, XS Labs, New York University, Hussein Chalayan, Cute Circuit or International Fashion Machines are introduced by means of their latest, often still unpublished, project, and a survey of their work to date. Given for the first time is a list of all the relevant information on research institutes, materials, publications etc. A must for all those wishing to know everything about fashionable technology.

    ->Buy the book<-


  • 01AprApril fool, the USB pregnancy Test

    Jonah sent me this April fool! So happy first of April to you all!!! I’d love hanging tiny fishes in your back, but because we are on a blog here, I will just propose this very nice High Tech Pregnancy Test! What can the digital do with my no-tech data? Like a little fish in the water, this pregnancy test can be plug in to your ipod. Wait, no. Your iChat! so you can update your friends instantly about your status. Be careful to select the right end of the test, other than that it is pretty straightforward.

    p-teq.jpg

    The power from your USB port starts the electrospray ionization process, creating a spectrograph of the various masses for your analysis (…) The mass spectrometry software on the device comes with several sequenced hormones, including hCG (human Chorionic Gonadotropin), hCG-H (hyperglycosylated hCG – for detection before your first missed period), and LH (luteinizing hormone – for detection of your most fertile days). We like the fact that it does all three (…) While most home tests can detect a level of 15-50 mIU/mL of hCG, the enhanced methodology of the USB Pregnancy Test Kit can detect 5-50 mIU/mL, and will show you the exact concentration via its friendly onscreen interface. In addition, the LCD display on the device itself will light up and show you the symbol of a baby, no baby, or multiples and your Estimated Delivery Date based on the concentration of hCG, hCG-H, and LH in your urine – ThinkGeek

  • 02MayA floating chandelier

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    3349281683_3a7fb51e59.jpg

    Wireless transfer power has been explored by artists and engineers, but designers Dana Gordon and Jean Baptiste Labrune brought it a step further! In their induction powered lamp, the closer the lamp gets to the induction the brighter the lamp becomes. So naturally, as you work, sleep, read near such a flexible lamp, you can just bring it closer or not to you to receive more or less light intensity. Tesla would be proud!

    3350090980_3776d8348d.jpg

    Video

    Posted by Cati Vaucelle @ Architectradure

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  • 01MayThe mythical green card

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    Awesome! I have been randomly selected for the Diversity Immigrant Visa program for 2010 to receive the mythical Green card! Yes!!! It is the second time that I applied to the lottery so I am pretty thrilled!!